The Color of Water in Nature and in Art

Is Water Blue?

Well, that depends. Because of it’s intrinsic molecular structure, water is generally tinted a pale blue. But it can take on different hues when it contains impurities, bacteria and other natural or unnatural substances or by reflecting what is above its surface.

A section of the Colorado River at Marble Canyon in Arizona is colored by algae that blooms in the spring, turning the water a deep, hooker’s green.

 The Colorado Canyon, Arizona, at Marble Canyon


The Colorado Canyon, Arizona, at Marble Canyon

The Emerald Lakes on Mt. Tongariro, a compound volcano in New Zealand, contain large deposits of surfur, which ‘paint’ the water a beautiful shade of turquoise.

 Emerald Lakes, Mt. Tongariro, New Zealand


Emerald Lakes, Mt. Tongariro, New Zealand

On September 6, 2012, a portion of the Yangtze River, the third longest river in the world, suddenly turned beet red near the city of Chongquing. Scientists debated the cause: some attributed the frightening color to sediment forming upstream and traveling downstream; others suggested that microorganisms in the water were the culprit; many blamed industrial pollution. Bloggers and other media sources even proposed at the time that the strange phenomenon was the result of a biblical curse.

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The Yangtze River at Chongquing, September, 2012,

Oceans and lakes reflect the multiple colors in the sky, creating a mirror effect in the water.

sunsets 19How Do Artists Depict The Color of Water?

Over the last century, as part of modern art movements such as impressionism, fauvism, and pointillism, etc., artists have taken great liberties in rendering what they perceive to represent the color and nature of water. Here are some notable examples.

Georges Braque, the 20th century French painter who began his career as an impressionist, later embraced the Fauvist style and ultimately co-founded the movement known as cubism, created this image, entitled, “Landscape near Antwerp” in 1906.  The striking mauve, yellow and red colors of the water and the bold strokes of the paint suggest a highly emotional responses to the scene, characteristic of the Fauve approach to painting.

 "Landscape near Antwerp," Georges Braque, 1906


“Landscape near Antwerp,” Georges Braque, 1906, Collection of The Solomon R. Guggenheim Museum, NYC, 60 x 80 cm.

French impressionist, Claude Monet, created 250 paintings in his Water Lily series, depicting the gardens and landscape of his beloved home at Giverny. In this one, entitled, “The Water Lilies – Setting Sun,” Monet used soft yellow, mauve, blue and green colors, reflecting the gorgeous light of the sky on the lily pond at the end of the day.


“The Water Lilies – Setting Sun,” Claude Monet, 1914 – 1926, Collection of the Musee de l’Orangerie, Paris, 78.74″ x 236.22″

David Hockney, a British-born Pop artist, worked for a period of three decades from the 1960′s through the 1980′s on a series of paintings of swimming pools set in California landscapes. The swimming pool paintings reflected his fascination with the ‘utopian’ popular culture of the sunny, California lifestyle. Using vibrant colors that were filled with the suggestion of sunlight, Hockney’s presented his own version of water, chlorinated and sanitized within the man-made, concrete version of a ‘swimming hole.’

 "A Bigger Splash," David Hockney, 1967, 95.5" x 96"


“A Bigger Splash,” David Hockney, 1967, 95.5″ x 96″

Of course, I couldn’t end this post without a reference to the way in which Elena and I have depicted the color of water. In 2012, we completed twelve, 4′x 8′ sequential paintings on paper, entitled “Mid-Summer Day’s Dream,” a mixed-media, visual narrative relating the experience of an ordinary day interrupted by a life-changing event. The painting shown here is the seventh in the twelve-part series. Using red, pink, yellow, purple, black, white, brown and multiple shades of blue and green, we created an image of the moment in which the hesitant viewer of the narrative finally plunges into the force of an approaching wave.


“Plunge,” Painting 7 of 12 in “Mid-Summer Day’s Dream,” Susan Hoffman Fishman and Elena Kalman, Acrylic and Mixed Media on Paper, 4′ x 8,’ 2010 – 2012

 

 

 

 

 

 

 

 

 

 

 

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