The Blog: One and a Half Years Later and
Artist Isaac Cordal’s “Cement Eclipses”

The Blog, One and a Half Years Later

When I started this blog entitled, “On Water and Public Art” in February of 2013, my intention was to provide a running conversation on: (1) the progress of The Wave, our interactive, public art project on water; (2) information on current global water issues; and (3) commentary about other public art projects that address timely contemporary subjects.

Over the past three years, as The Wave has traveled to four states, Elena and I have engaged over 6000 participants in the creation of 16 permanent and temporary installations in museums, galleries, schools, libraries and other public venues. In addition to following our travels with The Wave, the blog has addressed such varied topics as ‘public art as community building,” “public art as political awareness,” “science fiction and water,” “water wars,” “visual symbols of water,” and “the color of water in nature and art.” The Blog has also highlighted important public art projects including, Lily Yeh’s transformational interactive mosaics, James Bridle’s troubling Drone Shadows, Simon Beck’s monumental Snow Art, Andres Amador’s impermanent Sand Art and the 36 artists whose work on the enormous amount of debris in the ocean became the important, traveling exhibition, Gyre: The Plastic Ocean. Today’s post introduces another innovative public artist and his on-going urban street project entitled, Cement Eclipses.

 Bayeaux Tapestry: Norman Fleet Sailing For England 1070 - 1088 Showing Traditional Symbols of Water

Bayeaux Tapestry: Norman Fleet Sailing For England 1070 – 1088, Showing How Artists in the 11th Century Represented Water

Isaac Cordal’s ‘Take’ on Political Leadership and Climate Change

Isaac Cordal is a Spanish installation and street artist who is currently living and working in London. Cordal creates tiny cement figures (8-10 inches tall) cast from clay sculptures that he calls ‘Cement Eclipses.’ He places them in urban settings throughout Europe in order to shed light on current political and social issues. In his series, “Follow the Leaders,” Cordal has arranged the tiny heads and partial torsos of the balding, white collar businessmen in shallow ‘puddles’ of water as if they are almost completely submerged by rising flood waters. Cordal’s work suggests that while leaders around the world endlessly debate how to address the predictions that sea levels will rise up to three feet by the end of the century, permanent damage from climate change is already taking place around the world. Left to their own devices, this is how these ‘leaders’ will soon look if they don’t act decisively. His installations are examples of highly effective public art as political awareness.

 Isaac Cordal, "Follow The Leaders," London, 2011.

Isaac Cordal, “Follow The Leaders,” London, 2011.

 Isaac Cordal, "Follow The Leaders," Berlin, 2014

Isaac Cordal, “Follow The Leaders,” Berlin, 2014